The bard celebrates two other fine practitioners of the art, and laments a lost brewer
SOUTHWARK Playhouse is definitely the place for striking, challenging new musicals at the moment. Following on the heels of Preludes, Dave Molloy’s Rachmaninov musical, is Islander, an award-winner at the Edinburgh Festival this summer.
The production binds up myth-making, music and technology to stunning effect and is performed with impressive precision by Bethany Tennick and Kirsty Findlay.
Using only their voices and two looping pedals, Tennick and Findlay tell the story of Eilidh, who lives on a remote Scottish island with her gran. Eilidh’s mother lives on the “big island” and, unwilling to keep subsidising a shrinking population, the government want everyone else to follow suit.
DAVID NICHOLSON recommends the staging of this Wagnerian classic minus one or two insignificant quibbles
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF


