The bard celebrates two other fine practitioners of the art, and laments a lost brewer
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The spirit in the mass
JOE GILL relishes the emotional force of an exhibition of two interconnected painters who trust instinct over technique
Chaim Soutine: Les Platanes a Ceret, c.1920; Le valet de chambre, c. 1927
[Sotheby's/Lewis Collection]
This right-wing conspiracy theory is used to justify the coercive measures against gender, race and labour rights that best serve capitalism, attests GAVIN O’TOOLE
KENNY MONROSE recommends a new exhibition that highlights the significance of Black British music
ANGUS REID is bowled over by an exuberant film about the making of Keith Jarrett’s legendary concert
MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
WHAT connects the work of two highly regarded 20th century artists, Chaim Soutine and Leon Kossoff?
The short answer is their expressive work, their subjects — ordinary people and places — and the way the first influenced the second.
Hastings Contemporary art gallery has brought together an impressive collection of Soutine and Kossoff’s landscapes and portraits in this beautiful gallery located just metres from the fishing boats that sit on the shoreline.
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JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright