The bard celebrates two other fine practitioners of the art, and laments a lost brewer
Charles Rennie Mackintosh: Making the Glasgow Style
Kelvingrove Gallery
Glasgow
HE BROUGHT about nothing short of a revolution. It’s hard to spend any time in Britain’s second city — Glasgow, that is, for any Brummies and Mancunians out there — without being touched by the flair of Charles Rennie Mackintosh.
With exhibitions in London and Glasgow within the past five years, you might wonder what the current extravaganza marking his 150th birth anniversary at the Kelvingrove can add. But Charles Rennie Mackintosh: Making the Glasgow Style is worthwhile primarily for drumming home that, genius though he was, Mackintosh was no lone ranger. His work defined not just a moment but a movement.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


