New releases from Joe Wilkes, Honey and the Bear, and Hannah James and Toby Kuhn
NORTH LONDON’S small but elegant Park Theatre seems an unlikely venue to carry such a visually spectacular show as this adaptation of Hans Christian Andersen’s The Snow Queen.
But director Abigail Anderson manages to pull off another successful Christmas show to add to the theatre’s impressive list.
Charles Way’s version brings life to Andersen’s classic about a young girl’s battle to save her best friend from the evil Snow Queen and the world from eternal winter, with plenty of original and punchy songs — far more understated than the usual brash Christmas musicals or pantomimes — maintaining momentum.
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging


