The bard celebrates two other fine practitioners of the art, and laments a lost brewer
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A fascinating moment of solidarity
ALEX WHITE reveals the radical side of Maya Angelou in her newly uncovered writing from Egypt and Ghana
Maya Angelou (far right) protesting outside the US Embassy in Accra, Ghana, alongside Julian Mayfield, Alphaeus Hunton and Alice Windom (1963)
[The New York Public Library/CC BY]
This right-wing conspiracy theory is used to justify the coercive measures against gender, race and labour rights that best serve capitalism, attests GAVIN O’TOOLE
KENNY MONROSE recommends a new exhibition that highlights the significance of Black British music
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CHRIS SEARLE recommends a work of love and deep admiration for a great musician
ON August 28 1963, a group of activists gathered opposite the US embassy in the Ghanaian capital of Accra. Inspired by the March on Washington unfolding 5,000 miles away, the protesters carried placards urging the US government to “wipe out racism” and claiming that the US now faced a choice between “civil liberties and civil war.”
In the front row of the demonstration was a face that would later become famous – the American author and poet Maya Angelou.
The Accra march reflected Angelou’s growing engagement with radical politics. Frustrated by American racism and fascinated by African decolonisation, she moved to Egypt in 1961 and then Ghana in 1963. In both countries, she found work as a journalist within the state-controlled media.
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