JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
In Clay
Upstairs at the Gatehouse
Highgate Village, London
FIRST the set: the 1930s Parisian artist’s studio is an installation in itself; easels, pots, brushes, drapes, canvases and a potter’s wheel, inviting us in, preparing us for something very classy.
And that’s what we get as Marie-Berthe Cazin (Rosalind Ford) sings the story of her relationships and creative development in a French accent. Her true subject is clay, more than her husband Michel or her friend Natalie.
JAN WOLF enjoys a British revival of the 1972 come of age farce/panto Pippin
New releases from The Dreaming Spires, Bruce Springsteen, and Chet Baker
FRANCIS BECKETT introduces his new play that aims to give its audience a taste of what a far-right triumph would be
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual


