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Conundrum
Young Vic
BILLED as a “tale of self-discovery, liberation and bliss,” Paul Anthony Morris’s long-awaited Conundrum isn’t exactly packed with the latter. It’s a difficult, uncomfortable 70 minutes but it is all the better for it.
The Conundrum at hand is the life of Fidel (Anthony Ofoegbu) who in the process of “decluttering” has begun rummaging through a lifetime of paperwork.
Diaries, bank statements, exam results (all A+ except a D in sports) and a series of rejected job applications on the basis of “overqualification” are reminders of a life before a breakdown.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
ANDY HEDGECOCK relishes an exuberant blend of emotion and analysis that captures the politics and contrarian nature of the French composer


