MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
THE COVEN by Lizzie Fry (Sphere, £14.99) is set in a world similar to our own except that there, witchcraft exists as part of normal life. Or it did, until a right-wing religious movement in the US saw a misogynist campaign against witches as its route to state power and ultimately to world domination.
As suppression and oppression of witches specifically, and women in general, grows, a small band of escapees and their allies are on the run in the British countryside.
So what we are presented with is essentially a chase thriller with magical elements and good fun it is too. Star readers will cheer as the characters discover that the division between men and women is intended primarily as a means to strengthen the division between rich and poor.
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
Timeloop murder, trad family MomBomb, Sicilian crime pages and Craven praise
A heatwave, a crimewave, and weird bollocks in Aberdeen, Indiana horror, and the end of the American Dream


