DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
MANCHESTER University Press has published a Tom Woodin book, Working-Class Writing and Publishing in the Late Twentieth Century, and the blurb trumpets that the book’s of “interest” to the general reader.
I certainly am interested in reading it — I was writing, gigging, publishing and being published in that same late-20th century. MUP have done their job and priced the book at £75, ensuring that the people the book is about are objects of study rather than participants in the cultural life of the country.
If true, the photo’s history is a damning indictment of the systematic exploitation of non-Western journalists by Western media organisations – a pattern that persists today, posit KATE CANTRELL and ALISON BEDFORD
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
MATTHEW HAWKINS applauds a psychotherapist’s dissection of William Blake
HENRY BELL notes the curious confluence of belief, rebuilding and cheap materials that gave rise to an extraordinary number of modernist churches in post-war Scotland


