The bard celebrates two other fine practitioners of the art, and laments a lost brewer
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Powerful depiction of injustice
This right-wing conspiracy theory is used to justify the coercive measures against gender, race and labour rights that best serve capitalism, attests GAVIN O’TOOLE
KENNY MONROSE recommends a new exhibition that highlights the significance of Black British music
ANGUS REID is bowled over by an exuberant film about the making of Keith Jarrett’s legendary concert
MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
Killymuck
Underbelly
Bristo Square
Edinburgh
It’s hard to believe Aoife Lennon didn’t write Killymuck and that she’s not actually called Niamh.
Kat Woods’s mesmerising play begins with Lennon, its sole performer, enacting her birth and ends soon after the death of her father.
Similar stories
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse